Skip to main content

'A Monster Calls' (12A)

Related image
 
 
*****
 
Struggling to cope with the failing health of his dying mother and the relentless torments of the bullies at school, Conor calls upon the help of a Monster, who agrees to tell him three stories in return for Conor's 'truth'.
 
I've always been a big fan of having a little cry in the cinema. You know, that moment when what is happening on screen is so deeply affecting that you can't help but close your eyes and feel those big, hot tears come seeping out from under the lids. I held back the tears for the majority of A Monster Calls, but in those final two scenes, I had become so deeply embroiled in the life of Conor (a brilliant Lewis MacDougall) that I couldn't help but weep. But in a strange way, I was happy to - the film had worked its magic upon me from the beginning, after all.
 
Yes, I would agree that it is somewhat predictable what the story's arch is going to be - we have the dying mother, a Monster who agrees to tell three stories, and fraught relationships that must somehow be overcome, and yet it is not the story that is the most affecting part - it is the manner in which it is told. With Patrick Ness adapting his own novel for the screen, the film loses very little of the poignancy and intimate thoughts demonstrated in the book, whilst director J. A. Bayona uses his eye for the visual to create a story that is filled with storytelling magic. Flitting between live action sequences and beautiful watercolour scenes (not dissimilar to when Hermione recounts the tale of the Deathly Hallows in Harry Potter), Bayona manages to immerse the viewer into the moral dilemmas of the tale without making it feel even remotely preachy.
 
The Monster itself is beautifully realised. Voiced by the silky tones of Liam Neeson, the Monster is based upon an ancient yew tree that Conor can see from his bedroom window. With kind eyes that can turn to fire in an instant, tendrils and roots that wrap around Conor and any space the creature might inhabit, the Monster is both tender and terrifying at the same time, much like the world in which Conor now lives.
 
Well, 2017 has got off to a good start with one of the first films to be released being such a beautiful and emotive one as this. With excellent performances, arresting visuals and a central character you can't help but root for, it's everything you could want from a New Year's movie. Just don't forget to take your tissues...
 

 
 

Comments

Popular posts from this blog

'Eternals' (12A)

Director: Chloé Zhao   Cast:  Gemma Chan, Richard Madden, Kumail Nanjiani, Angelina Jolie Where can I watch?:   Eternals  is in cinemas and available to stream on Disney+ Rating:  2.5/5 Review: When watching a Marvel film, you must suspend some level of disbelief to fully enjoy it. However, Eternals really does push the boat too far. I'm all for a bit of fantasy and a splash of sci-fi, but I found myself drawing the line at big red robot things floating around in space - and I'm not even going to try to explain (or remember!) everything else that was revealed during this strangely boring, yet rather beautiful, superhero experience. Chloé Zhao, fresh from her Best Director win, helms the 26th film (yes, really) in the Marvel franchise, but she fails to make any sort of impact. At times, it feels as though we're veering towards something of a character study, but unfortunately all the characters are painfully shallow and one-dimensional, making the 'intimate' tal...

'The Last Duel' (18)

Director: Ridley Scott Cast:  Matt Damon, Adam Driver, Jodie Comer Where can I watch?:   The Last Duel  is in cinemas and available to stream on Disney+ Rating:  3/5 Review: Young people, put down your "fucking cell phones"  and observe how men have been shit to women for literal centuries! That's right, not depressed enough by the state of the world, I decided to watch Ridley Scott's latest 'flop' during the festive period and, boy, did it feel like a battle. Based on a true story from the 14th Century, The Last Duel is a tale of rape and revenge. Focusing on three central characters, Scott's depiction is divided into a trio of interlocking chapters during which Jean de Carrouges (Matt Damon), Jacques Le Gris (Adam Driver) and Marguerite de Carrouges (Jodie Comer) give their accounts of the events preceding and following Marguerite's assault. Despite the horrendous wig, Damon gives a strong performance as a highly unlikeable knight, but it's Come...

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...