Eleanor Reviews

Director:  Gina Prince-Bythewood Cast:   Charlize Theron, KiKi Layne, Matthias Schoenaerts Where can I watch?:   The Old Guard  is streaming on Netflix Rating:  2/5 Review: It gives me no pleasure to say this, but The Old Guard is rubbish. This is honestly a real shame, as there's actually a lot to celebrate here: a female lead, a black female director, a gay male couple who subvert the usual queer relationship tropes usually assigned to screen, and a flourishing bond between two female protagonists that doesn't descend into backstabbing. Despite these ingredients, however, The Old Guard stumbles along rather blandly, raising more questions than it answers and failing to meet the sum of its parts. So the plot: Andy (Charlize Theron) heads up a group of immortal mercenaries who inadvertently make contact with a new 'recruit' (KiKi Layne) whilst being tracked by a big pharma company desperate to make a profit from their regenerative skills (cu...

Director:  Autumn de Wilde Cast: Anya Taylor-Joy, Johnny Flynn, Bill Nighy, Mia Goth, Josh O'Connor Where can I watch?: You can rent Emma from Amazon Prime Rating:  4/5 Review: Another decade, another adaptation of Jane Austen's arguably most scathing novel, Emma. One could argue that if you've seen one, you've seen them all, and yet I would suggest that Autumn de Wilde's latest foray does indeed add something new to the canon. For starters, Anya Taylor-Joy's Emma isn't always likeable. In fact, she's comes across as far more sly and malevolent in this adaptation than in any of the others, making her salvation (not a spoiler!) all the more rewarding. De Wilde, familiar with photography and music videos, directs stylishly - each scene is dressed to the nines, the costumes are nothing short of sumptuous, and each shot could indeed be a standalone photo, such is the expert composition. The cast is ubiquitously excellent, with Johnny Flynn br...

***** With their father at war, sisters Meg, Jo, Beth and Amy navigate the difficulties of growing up, bumping into some colourful characters along the way. For many generations of readers, and hopefully many more to come, Little Women has been a treasured tale. For me, first gifted the audio book and then the novel, it's a story that instantly reminds me of my childhood. When I came to study the text for my degree, the class ubiquitously agreed that it was a nostalgic treat to revisit the book again - perhaps why so few of us chose to analyse it for our end-of-module exam. Sitting in a cinema, packed with women of all ages, that same sense of nostalgia washed over me as Greta Gerwig deftly and sensitively interwove two time frames (the youthfulness of the Little Women story with the bittersweet nature of the sequel, Good Wives ), whilst simultaneously reintroducing me to some of my favourite literary creations. Let's start with the elephant in the room - Gr...

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...

**** Living off-grid in a vast forest, Tom and her father have a quiet but happy existence. One day, a small mistake puts their way of life in jeopardy... Today, Post Traumatic Stress Disorder (PTSD) is a part of public consciousness - no longer is it a shameful thing, but something that we, as a society, openly discuss and try to understand. Take BBC's record-breaking Bodyguard as an example - our central protagonist is suffering the effects of the life and experiences he endured in conflict and, at the show's conclusion, PTSD charities hoped that other sufferers would feel empowered to come forward and receive help. This is just one of the many on-screen depictions of PTSD in recent years, and now Leave No Trace can be added to that catalogue. However, the decision to view the world through the eyes of a thirteen-year-old girl (newcomer Thomasin McKenzie) makes this exploration into the aftermath of war a far more subtle and delicate affair. In fact,...