Eleanor Reviews

Director:  Harry Bradbeer Cast:  Millie Bobby Brown, Henry Cavill, Sam Claflin, Helena Bonham Carter Where can I watch?:   Enola Holmes is streaming on Netflix Rating:  3.5/5 Review: In the last ten years alone, we've had a fair few renditions of the Sherlock Holmes story: the Guy Ritchie/Downey Jr excursion; the truly horrendous Holmes & Watson (I just watched the trailer and decided it was trash); and the star-making BBC series (we NEVER talk about that last series, OK? Shudder). Into the mix, we now add this very 20th Century edition, which focuses on the Holmes' little sister, Enola - and I'm glad to report it's far better than the Moffat/Gatiss attempt (OK, I won't mention it again). Then again, it's probably wrong to compare Enola Holmes to those series, as it feels more similar in tone to the Ritchie/Downey outing, with action and adventure prevailing over any real clue-solving. Enter our heroine, Enola (Millie Bobby Brown). Addressing the camera a la...

*** The world as we know it is under threat - time travel has been weaponised and World War Three is on the horizon... So, I've seen Tenet  and I have a question: what the bloody hell is going on? Actually, that's not true - I have many questions, but that's the main one. Upon returning from the cinema in a state of confusion and questioning my own intelligence, I took to the internet to uncover what I had just witnessed, and found that just about everyone else on the planet had spent the lengthy runtime going 'huh?'. This might partly be because Ludwig Göransson's score (no Hans Zimmer this time!) is at its loudest and most eardrum-popping when various characters are talking, or it simply might be that Christoper Nolan has created a film that is almost completely incoherent. I fear it may be the latter. It's not just that Tenet is less than the sum of its parts (there are some good sequences), it's that Nolan completely over-complicates an idea - becaus...

Director:  Egor Abramenko Cast:   Oksana Akinshina, Fedor Bondarchuk, Pyotr Fyodorov Where can I watch?:   Sputnik  is streaming on  Amazon Prime Rating:  4/5 Review: The premise of an astronaut returning to earth with more than he might have bargained for is hardly original, and yet Sputnik , a Russian-language take on the sci-fi saga, somehow manages to feel wonderfully new and fresh, creating an alien film that's far and away better than anything Hollywood has churned out in recent years. Masterfully drawing us in with a suspenseful opening sequence, director Egor Abramenko (this is his first feature length film) then introduces us to our protagonist, Tatyana (Oksana Akinshina), who is facing disciplinary action of her unorthodox treatment of mental illness. Parallels can be drawn between Tatyana and Alien 's Ripley: both are no-nonsense, tough-talking scientists with an undying ambition to do the right thing, whatever the cost. Akinshina is a very ...

Director:  Gina Prince-Bythewood Cast:   Charlize Theron, KiKi Layne, Matthias Schoenaerts Where can I watch?:   The Old Guard  is streaming on Netflix Rating:  2/5 Review: It gives me no pleasure to say this, but The Old Guard is rubbish. This is honestly a real shame, as there's actually a lot to celebrate here: a female lead, a black female director, a gay male couple who subvert the usual queer relationship tropes usually assigned to screen, and a flourishing bond between two female protagonists that doesn't descend into backstabbing. Despite these ingredients, however, The Old Guard stumbles along rather blandly, raising more questions than it answers and failing to meet the sum of its parts. So the plot: Andy (Charlize Theron) heads up a group of immortal mercenaries who inadvertently make contact with a new 'recruit' (KiKi Layne) whilst being tracked by a big pharma company desperate to make a profit from their regenerative skills (cu...

Director:  George Nolfi Cast:  Anthony Mackie, Samuel L. Jackson, Nicholas Hoult Where can I watch?:   The Banker  is streaming on  Apple TV+ Rating:  4/5 Review:  Based on the real-life story of two black businessmen taking on America's systemic racism through real estate ownership, Apple Original's  The Banker sees Anthony Mackie and Samuel L. Jackson (at his most Samuel L. Jackson, minus the 'motherf*cking snakes on this motherf*cking plane') form a delightfully entertaining chalk-and-cheese relationship, with Nicholas Hoult as their white third wheel. Directed by George Nolfi and boasting a handful of screenwriters, the film wastes no time in establishing Bernard Garrett (Mackie) and Joe Norris (Jackson) as a force to be reckoned with, their Los Angeles property repertoire booming with the help of Matt Steiner (Hoult) as their customer-facing ally. The rags-to-riches scenes in which the hapless Steiner is made into a golf-loving...

Director: Roger Donaldson Cast:  Mel Gibson, Anthony Hopkins, Laurence Olivier Where can I watch?: The Bounty is streaming on Netflix Rating: 2/5 Review: The true story of HMS Bounty , the mutiny and the continued bloodline of the mutineers on Pitcairn Island is, undoubtedly, a fascinating one. It's unfortunate, then, that Roger Donaldson's attempt to bring the high sea drama to the screen is so, well, dull. Opening with paradisaical images of tropical islands under nectarine skies (punctuated with an eerie score by Vangelis of Blade Runner fame), the film starts of promisingly... And quickly loses its way. After the initial 'culture-gasm' of seeing Anthony Hopkins (the doomed captain, William Bligh) and Laurence Olivier face off in a naval court, we find ourselves aboard The Bounty , with fresh-faced Mel Gibson wrestling with the underwritten role of rebellious Fletcher Christian. There are the usual naval tropes abound: lashings for the impudent sai...

Director : Anurag Kashyap Cast : Saiyami Kher, Roshan Mathew, Amruta Subhash Where can I watch? : Choked is streaming on Netflix Rating : 4/5 Review : Netflix's attempts to diversify its entertainment collection seems to have accelerated rapidly during lockdown, with a number of new international offerings becoming readily available in amongst all the nostalgic 90s releases. One such film is Choked , a Hindi-language film that centres around put-upon bank worker Sarita (the engaging Saiyami Kher) and her disintegrating marriage. Setting the scene in a tumbledown set of flats - paint-flaking ceilings and a drain that constantly leaks and gurgles are as much characters as their human counterparts - we're hurled into Sarita's tiring existence, but could salvation be at hand? Marrying Bollywood-esque musical sequences with grainy news footage capturing the fallout of Modi's monetary reforms, director Anurag Kashyap effortlessly moves from fantasy to reality,...

Director:  Michael Showalter Cast:  Issa Rae, Kumail Nanjiani Where can I watch?: The Lovebirds  is streaming on Netflix Rating: 3/5 Review: It's fair to say that the news is pretty grim right now, so when a film comes along that requires essentially zero brain power, it comes as something of a relief. Cue The Lovebirds , another of Netflix's lockdown viewing collection in which an arguing couple become inadvertently embroiled in some form of crime syndicate on their way to a friend's dinner party. Sound familiar? That's because The Lovebirds is far from original territory - how many times have we seen the fraught couple unite the battle the odds and save their relationship? - and yet, it's not without its charms. Firstly, Issa Rae and Kumail Nanjiani are both very watchable screen presences, and there is certainly a fizzing level of chemistry between them that makes their relationship quite believable. Similarly, some of the smaller jokes work quit...

Director:  Autumn de Wilde Cast: Anya Taylor-Joy, Johnny Flynn, Bill Nighy, Mia Goth, Josh O'Connor Where can I watch?: You can rent Emma from Amazon Prime Rating:  4/5 Review: Another decade, another adaptation of Jane Austen's arguably most scathing novel, Emma. One could argue that if you've seen one, you've seen them all, and yet I would suggest that Autumn de Wilde's latest foray does indeed add something new to the canon. For starters, Anya Taylor-Joy's Emma isn't always likeable. In fact, she's comes across as far more sly and malevolent in this adaptation than in any of the others, making her salvation (not a spoiler!) all the more rewarding. De Wilde, familiar with photography and music videos, directs stylishly - each scene is dressed to the nines, the costumes are nothing short of sumptuous, and each shot could indeed be a standalone photo, such is the expert composition. The cast is ubiquitously excellent, with Johnny Flynn br...

***** David Copperfield takes to the stage to recount his life and times, interspersed with the plethora of colourful characters he's met along the way. It's clear that Armando Iannucci loves Dickens' Victorian behemoth David Copperfield , because only someone who loves the 800-page bildungsroman could have created a film that is at once wonderfully faithful and yet wholly creative with the source text. The film begins with our eponymous hero (the charming Dev Patel) taking the stage to recount his story, something that Dickens himself also did in wildly popular tours of Britain and the United States, and it feels like another respectful nod from Iannicci (who shares screenwriting credits with Simon Blackwell) to one of the most celebrated authors who ever lived. Throughout his film, Iannucci both pokes fun at Dickens ('why am I even this scene?') and celebrates his works, giving a new lease of life to a story that most of us would bypass in the book ...

*** When Earth is hit by a series of electromagnetic surges from outer space, astronaut Roy McBride is tasked with reaching out to his long-lost father, who was last known to be somewhere on the periphery of Neptune, searching for new forms of life. Space has always been a source of mystery and fascination for mankind. From prehistoric cave paintings and stone circles that indicate some form of worship of the Solar System, to the latest drives to reach Mars and further into space, the realms beyond our own planet have led us to question a plethora of philosophical conundrums. In the case of Ad Astra , however, my only question was: Who on earth allowed this script to be filmed!? It's not just that James Gray and Ethan Gross' screenplay is clunky and packed with lines a la Basil Exposition (we'll come to this later) that makes it so infuriating, though - it's the unshakable feeling I got that both had read a little bit of Nietzsche and fallen into some bl...

***** It's 1962. Tough guy bouncer, renowned 'bullshitter' and family man Tony Lip finds himself out of a job. When he receives a call from a doctor looking for a driver, he jumps at the chance. But Dr Don Shirley is no ordinary doctor, and his journey across the Deep South will be far from easy... There's not really any other way to say this, so I'll just come straight out with it: I loved Green Book . A poignant tale of injustice, it's strong central message shines out brightly without dipping into the realms of cliche - and this is thanks to both the eloquent, intelligent script and the outstanding performances from Viggo Mortensen as Tony Lip and Mahershala Ali as Dr Shirley. Blending the themes of sadness, strife and ignorance with our very human ability to laugh and connect with others, it resonates as a timeless tale of friendship in the face of continuing adversity. The addition of the visually striking musical pieces brings an extra ...

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...

***** When their husbands are killed in a botched heist, four widows form an unlikely alliance to overcome the debt left behind. In the hands of a less skilful or sensitive director, Widows  could have easily become a film rife with cliches and eye-rolling parody. Instead, with Steven McQueen behind the camera, this unassuming film has become, almost undoubtedly, one of the movies of the year. An articulate study of grief, social politics and female determination (as well as an impressive explosion or two along the way), Widows  makes for a gripping, emotionally intelligent piece of filmmaking. This isn't just a heist movie with females at the helm - it's a smart depiction of women under pressure, as well as the juxtaposition of the haves and have nots, and the corruptible nature of power. From the very opening, we are plunged into a world of violence and ruthlessness. Juxtaposing contrasting scenes of home life with the drama of a heist gone wrong, we find...

*** After inadvertently becoming the host to an alien symbiote, Eddie Brock is forced to embrace the powers of the new being inside him in order to save the world from invasion. To say I have issues with Venom would be something of an understatement, so prepare yourself for something of a 'ranty' review. It's not that Venom is a bad film, it's just that it could've been so much more!  OK, first of all, let's talk about the rating. As it stands, this theatrical release has been awarded a 15 certificate, but it's clear from the way that the film has been cut and edited that some scenes or segments have been removed to obtain this rating. In short, the 'powers that be' have played it too safe, which juxtaposes the character of Eddie Brock (Tom Hardy) and Venom entirely. In comparison, Logan (also classified by the BBFC as a 15, but teetering on the edges of an 18) pushed the audience in terms of violence shown, which made it a brave, ...