Eleanor Reviews

*** The world as we know it is under threat - time travel has been weaponised and World War Three is on the horizon... So, I've seen Tenet  and I have a question: what the bloody hell is going on? Actually, that's not true - I have many questions, but that's the main one. Upon returning from the cinema in a state of confusion and questioning my own intelligence, I took to the internet to uncover what I had just witnessed, and found that just about everyone else on the planet had spent the lengthy runtime going 'huh?'. This might partly be because Ludwig Göransson's score (no Hans Zimmer this time!) is at its loudest and most eardrum-popping when various characters are talking, or it simply might be that Christoper Nolan has created a film that is almost completely incoherent. I fear it may be the latter. It's not just that Tenet is less than the sum of its parts (there are some good sequences), it's that Nolan completely over-complicates an idea - becaus...

***** When their husbands are killed in a botched heist, four widows form an unlikely alliance to overcome the debt left behind. In the hands of a less skilful or sensitive director, Widows  could have easily become a film rife with cliches and eye-rolling parody. Instead, with Steven McQueen behind the camera, this unassuming film has become, almost undoubtedly, one of the movies of the year. An articulate study of grief, social politics and female determination (as well as an impressive explosion or two along the way), Widows  makes for a gripping, emotionally intelligent piece of filmmaking. This isn't just a heist movie with females at the helm - it's a smart depiction of women under pressure, as well as the juxtaposition of the haves and have nots, and the corruptible nature of power. From the very opening, we are plunged into a world of violence and ruthlessness. Juxtaposing contrasting scenes of home life with the drama of a heist gone wrong, we find...