Skip to main content

'Eternals' (12A)



Director: Chloé Zhao 

Cast: Gemma Chan, Richard Madden, Kumail Nanjiani, Angelina Jolie

Where can I watch?: Eternals is in cinemas and available to stream on Disney+

Rating: 2.5/5

Review: When watching a Marvel film, you must suspend some level of disbelief to fully enjoy it. However, Eternals really does push the boat too far. I'm all for a bit of fantasy and a splash of sci-fi, but I found myself drawing the line at big red robot things floating around in space - and I'm not even going to try to explain (or remember!) everything else that was revealed during this strangely boring, yet rather beautiful, superhero experience.

Chloé Zhao, fresh from her Best Director win, helms the 26th film (yes, really) in the Marvel franchise, but she fails to make any sort of impact. At times, it feels as though we're veering towards something of a character study, but unfortunately all the characters are painfully shallow and one-dimensional, making the 'intimate' talky scenes quite torturous. When the action does come, it feels listless and unenergetic, as though it were filmed as an after thought. Similarly, the script, which Zhao co-wrote, is at times achingly woeful. Packed with clunky exposition, strained interactions and plenty of 'stating the obvious', it even misses the mark with the all-important Marvel quips. The 'twists' are also clearly signposted.

That said, Eternals in undoubtedly a visual treat. The iconography that accompanies the Celestials is beautifully realised and wonderfully ethereal, while the numerous landscape shots, harking back to Zhaoe's Nomadland, each look stunning, bringing a sense of worldiness to the film. The costumes, from Gemma Chan's emerald green outfit, to Angelina Jolie's pearlescent wardrobe, are similarly effective. It's just a shame that the beauty of the film is only skin deep...  

A Must-Watch?: It's definitely one of the poorer Marvel outings. Weighed down by a clunky script, an overly-long run time and too many characters, Eternals muddles along from formulaic set pieces to formulaic set piece in dry, uninspiring fashion. It does look good, though. 

Comments

Popular posts from this blog

'The Last Duel' (18)

Director: Ridley Scott Cast:  Matt Damon, Adam Driver, Jodie Comer Where can I watch?:   The Last Duel  is in cinemas and available to stream on Disney+ Rating:  3/5 Review: Young people, put down your "fucking cell phones"  and observe how men have been shit to women for literal centuries! That's right, not depressed enough by the state of the world, I decided to watch Ridley Scott's latest 'flop' during the festive period and, boy, did it feel like a battle. Based on a true story from the 14th Century, The Last Duel is a tale of rape and revenge. Focusing on three central characters, Scott's depiction is divided into a trio of interlocking chapters during which Jean de Carrouges (Matt Damon), Jacques Le Gris (Adam Driver) and Marguerite de Carrouges (Jodie Comer) give their accounts of the events preceding and following Marguerite's assault. Despite the horrendous wig, Damon gives a strong performance as a highly unlikeable knight, but it's Come...

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...