Skip to main content

'Black Sea' (15)



***/**** (3.5 stars)

Sacked from his job and estranged from his son, submariner Robinson is suddenly offered the chance of a lifetime: to uncover the legendary Russian gold lost on the floor of the Black Sea during the Second World War.

This is undoubtedly your typical submarine thriller, which ticks off all the boxes as it goes and adds nothing new to the genre. You can even work out which characters are going to make it to the end, because, (spoiler alert!) not all of them do. Still, for all of its unoriginality and plot points that you can see coming from a mile away, this isn’t a bad film. In fact, it’s pretty enjoyable. Yes, it is silly – Jude Law’s accent wanders all over the place, and ludicrous decisions are made throughout, but in places it is rather tense and there is a definite sense of claustrophobia throughout.

As the rickety submarine (I would’ve taken one look at the outside and run away) descends and tragedy ensues, the duplicitous crew members begin to go mad, either from fear, the lust for gold, or because they were complete psychopaths in the first place. Ben Mendelsohn’s Fraser has ‘bad’ written all over him from the start, and his sudden change in heart to take the moral high ground in the final parts of the film is a poor piece of character development. The cast, boasting some talented names such as Michael Smiley, David Threlfall and Scoot McNairy do well with an incredibly formulaic script, but it is Law, as the brooding and tortured Robinson, who holds the film together and stops it descending into absolute farce as thing after thing goes wrong.

A by-the-book film, somewhat elevated from complete mediocrity by a dedicated cast, Black Sea is still undeniably enjoyable in a very silly way. As a claustrophobic, it is perhaps expected that I should be a little more engaged and involved with what was happening on screen than someone who isn’t fazed by tight spaces, but there is still some basic entertainment to be found here, despite the silliness.  Also, who on earth wouldn’t at least frisk their morally dubious crew members for weapons because they descended into the depths of the ocean?

Comments

Popular posts from this blog

'Eternals' (12A)

Director: Chloé Zhao   Cast:  Gemma Chan, Richard Madden, Kumail Nanjiani, Angelina Jolie Where can I watch?:   Eternals  is in cinemas and available to stream on Disney+ Rating:  2.5/5 Review: When watching a Marvel film, you must suspend some level of disbelief to fully enjoy it. However, Eternals really does push the boat too far. I'm all for a bit of fantasy and a splash of sci-fi, but I found myself drawing the line at big red robot things floating around in space - and I'm not even going to try to explain (or remember!) everything else that was revealed during this strangely boring, yet rather beautiful, superhero experience. Chloé Zhao, fresh from her Best Director win, helms the 26th film (yes, really) in the Marvel franchise, but she fails to make any sort of impact. At times, it feels as though we're veering towards something of a character study, but unfortunately all the characters are painfully shallow and one-dimensional, making the 'intimate' tal...

'The Last Duel' (18)

Director: Ridley Scott Cast:  Matt Damon, Adam Driver, Jodie Comer Where can I watch?:   The Last Duel  is in cinemas and available to stream on Disney+ Rating:  3/5 Review: Young people, put down your "fucking cell phones"  and observe how men have been shit to women for literal centuries! That's right, not depressed enough by the state of the world, I decided to watch Ridley Scott's latest 'flop' during the festive period and, boy, did it feel like a battle. Based on a true story from the 14th Century, The Last Duel is a tale of rape and revenge. Focusing on three central characters, Scott's depiction is divided into a trio of interlocking chapters during which Jean de Carrouges (Matt Damon), Jacques Le Gris (Adam Driver) and Marguerite de Carrouges (Jodie Comer) give their accounts of the events preceding and following Marguerite's assault. Despite the horrendous wig, Damon gives a strong performance as a highly unlikeable knight, but it's Come...

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...