Skip to main content

COVID-19 Special: 'Blindspotting' (15)



Director: Carlos López Estrada

Cast: Daveed Diggs, Rafael Casal, Janina Gavankar

Where can I watch?: Blindspotting is streaming on Prime Video

Rating: 5/5

Review: It's the duty of art to tackle difficult, uncomfortable subjects. In the case of director Carlos López Estrada's excellent Blindspotting, numerous timely subjects - from racism, to gentrification, police brutality and beyond - are dissected in a strikingly lyrical, often humorous, way. With just three days left until his probation is over, Collin (an outstanding Daveed Diggs) is desperate to stay out of trouble, but it seems life has other plans - his friendship with the volatile Miles (Rafael Casal) and the witnessing of a fleeing black man being shot by a white officer put him in a precarious position, as does the lingering presence of the crime that placed him in prison in the first place. From the premise I've described, you might expect a truly bleak, tragic watching experience, but you'd be mistaken - one of the film's inherent strengths is its ability to fuse the horrendous with the humorous in an honest, open way: even in tragedy, human interactions still give rise to mirth and hilarity. Perhaps most remarkable of all is the stunning imagery that is interspersed throughout the film in an almost theatrical way. From Collin's blue- and red-lit nightmare, to the imagery of young black men standing beside their gravestones in the town's cemetery, and the juxtaposition of the newly renovated 'white' houses alongside the traditional Oakland homes, there's plenty of painterly shots that resonate deeply. There's one particular image towards the end of the film that comes as a complete shock, but I won't spoil it here. The use of spoken rap is another excellent device, taking the medium so often associated with black males and injecting it into the story in an emotive, almost Shakespearean way.  As I sat down to put pen to paper, I realised that I do not possess the skills to do justice to this gem of a film, so I can only encourage you to seek it out and watch it too. 

A COVID-19 Must-Watch?: Striking, smart, taut and telling of our times, Blindspotting isn't just an excellent film, it's an important one as well. Watch and remember it for a long time to come. 

Comments

Popular posts from this blog

'Eternals' (12A)

Director: Chloé Zhao   Cast:  Gemma Chan, Richard Madden, Kumail Nanjiani, Angelina Jolie Where can I watch?:   Eternals  is in cinemas and available to stream on Disney+ Rating:  2.5/5 Review: When watching a Marvel film, you must suspend some level of disbelief to fully enjoy it. However, Eternals really does push the boat too far. I'm all for a bit of fantasy and a splash of sci-fi, but I found myself drawing the line at big red robot things floating around in space - and I'm not even going to try to explain (or remember!) everything else that was revealed during this strangely boring, yet rather beautiful, superhero experience. Chloé Zhao, fresh from her Best Director win, helms the 26th film (yes, really) in the Marvel franchise, but she fails to make any sort of impact. At times, it feels as though we're veering towards something of a character study, but unfortunately all the characters are painfully shallow and one-dimensional, making the 'intimate' tal...

'The Last Duel' (18)

Director: Ridley Scott Cast:  Matt Damon, Adam Driver, Jodie Comer Where can I watch?:   The Last Duel  is in cinemas and available to stream on Disney+ Rating:  3/5 Review: Young people, put down your "fucking cell phones"  and observe how men have been shit to women for literal centuries! That's right, not depressed enough by the state of the world, I decided to watch Ridley Scott's latest 'flop' during the festive period and, boy, did it feel like a battle. Based on a true story from the 14th Century, The Last Duel is a tale of rape and revenge. Focusing on three central characters, Scott's depiction is divided into a trio of interlocking chapters during which Jean de Carrouges (Matt Damon), Jacques Le Gris (Adam Driver) and Marguerite de Carrouges (Jodie Comer) give their accounts of the events preceding and following Marguerite's assault. Despite the horrendous wig, Damon gives a strong performance as a highly unlikeable knight, but it's Come...

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed ...